Izložba Biserke Baretić u Rovinju|Exhibition by Biserka Baretić in Rovinj

08.07.2009.

Vrijeme: 04. – 26. srp­nja 2009.
Mjesto: Zavičajni muzej Grada Rovinja
Organizator: Zavičajni muzej Grada Rovinja

Time: the 4th of July – the 26th of July 2009

Place: Rovinj Heritage Museum

Organization: Rovinj Heritage Museum

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U «Zavičajnom muze­ju Grada Rovinja», 04. srp­nja 2009. godi­ne, u 20 sati, otva­ra se retros­pek­tiv­na izlož­ba Biserke Baretić, sli­ka­ri­ce i gra­fi­čar­ke iz Zagreba. Ovom pri­li­kom, bit će pred­stav­lje­ne sli­ke iz svih cik­lu­sa nje­zi­na stva­ra­nja, od 1955. godi­ne do danas.

On the 4th of July 2009 at 8 p.m. the Rovinj Heritage Museum will host the ope­ning of the retros­pec­ti­ve exhi­bi­ti­on of wor­ks by Biserka Baretić, pain­ter and grap­hic artist from Zagreb. The selec­ti­on of pain­tin­gs that will be dis­played covers all the sta­ges of aut­hor’s work, sin­ce 1955 up to the present.


baretić biserkaOva višes­tru­ko nagra­đi­va­na auto­ri­ca (Nagrada: Vladimir Nazor), izla­ga­la je na broj­nim izlož­ba­ma u Hrvatskoj i svi­je­tu. Rođena je 1933. godi­ne u Zagrebu, gdje je zavr­ši­la «Školu pri­mi­je­nje­ne umjet­nos­ti», a zatim i sli­kar­stvo na zagre­bač­koj «Likovnoj aka­de­mi­ji». Bila je neko vri­je­me surad­ni­ca «Majstorske radi­oni­ce» Krste Hegedušića, a od 1961. godi­ne sve do danas, dje­lu­je kao samos­tal­na umjet­ni­ca. Trenutno živi i radi u Zagrebu.
Ono što je naj­u­oč­lji­vi­je u stva­ra­laš­tvu ove likov­ne umjet­ni­ce, naj­bo­lje je izra­zi­la knji­žev­ni­ca Sibila Petlevski:
«…sli­kar­stvo Biserke Baretić je moder­no ne samo po izbo­ru pos­tu­pa­ka unu­tar medij­skih okvi­ra, nego pri­je sve­ga po zaža­re­nos­ti karak­te­ris­tič­noj za moder­ni­zam. To je umjet­ni­ca kojoj nije sve­jed­no, a samo onaj kome nije sve­jed­no može zadr­ža­ti ide­ju katar­ze. Za raz­li­ku od pos­t­mo­der­ne koja je “cool”, koja je do kraj­nos­ti ohla­đe­na u pre­uzi­ma­nju, nas­lje­đi­va­nju i pro­s­lje­đi­va­nju sti­lo­va i umjet­nič­kih pos­tu­pa­ka, moder­na svo­jim umjet­ni­ci­ma nala­že strast, što­vi­še otva­ra moguć­nost za čita­vu pale­tu stras­tve­nih odno­sa izme­đu Ja i pojav­nos­ti. Gamulin je u jed­nom tre­nut­ku inter­pre­ta­cij­skog pra­će­nja opu­sa Biserke Baretić, nje­no sli­kar­stvo podveo pod ter­min “lir­ski eks­pre­si­oni­zam”. Samo što tu lirič­nost ni u kojem slu­ča­ju ne tre­ba tra­ži­ti na razi­ni sli­kar­ske ges­te – jer ako “lirič­no” u neku ruku aso­ci­ra i na njež­nost, una­pri­jed tre­ba reći da nema ni tru­ni femi­nil­ne ćutil­nos­ti u ras­tr­ga­noj tva­ri Cronosa Biserke Baretić, otje­lov­lje­noj pre­dodž­bi vre­me­na koje pro­ždi­re samo sebe u cik­lič­koj auto­des­truk­ci­ji, samos­pa­lji­va­nju mate­ri­je svijeta…».
Zainteresirani mogu pogle­da­ti izlož­bu do 26. srp­nja 2009. godi­ne. (I.R.)

Biserka Baretić is a win­ner of seve­ral awar­ds (Vladimir Nazor Award) and has dis­played her wor­ks wit­hin the fra­mewor­ks of nume­ro­us exhi­bi­ti­ons in Croatia and abro­ad. She was born in Zagreb in 1933, whe­re she gra­du­ated from the School of Applied Arts and the Art Academy. For a peri­od of time she has been a fel­low-wor­ker at the Master Workshop led by Krsto Hegedušić, and sin­ce 1961 she has been wor­king as an inde­pen­dent artist. She cur­ren­tly lives and wor­ks in Zagreb.

The best outli­ne of the artis­t’s work has been pre­sen­ted by the wri­ter Sibila Petlevski: «…the art of Biserka Baretić is modern not only for her met­hods appli­ed wit­hin the media fra­mework but mos­tly for its fier­ce­ness, which is a cha­rac­te­ris­tic of the modern art. She isn’t impa­ssi­ve, and only aut­hors who aren’t unexci­ted can reta­in the idea of cat­har­sis. The pos­t­mo­dern art is «cool», cold in the pro­ce­sses of inhe­ri­ting and forwar­ding styles and met­hods, whi­le moder­nism pro­cla­ims passi­on and pro­vi­des a who­le array of inten­se rela­ti­on­ships betwe­en the «I» and the mate­ri­al sphe­re. Gamulin cha­rac­te­ri­zed the work of Biserka Baretić as «lyri­cal expre­ssi­onism».  But the cha­rac­te­ris­tics of lyri­cism sho­ul­d’t be soug­ht on the level of the artis­tic ges­tu­re; in some ways lyri­cism impli­es gen­tel­ness, but the torn mat­ter of Chronos in wor­ks of Biserka Baretić does­n’t sug­gest even the smal­lest hint of femi­ni­ne sub­tlety. Her wor­ks evo­ke the embo­di­ment of the idea of time con­su­ming itself in the cycli­cal auto­des­truc­ti­on and the self-com­bus­ti­on of the wor­l­d’s matter…»

The exhi­bi­ti­on is on until the 26th of July 2009.