Kerrie Poliness u galeriji Luka||KERRIE POLINESS NELLA GALLERIA LUKA

[lang_hr]U sklo­pu cik­lu­sa gos­to­va­nja među­na­rod­no eta­bi­li­ra­nih umjet­ni­ka, u pul­sku gale­ri­ju Luka 10. lip­nja sti­že istak­nu­ta aus­tral­ska umjet­ni­ca Kerrie Poliness. Poliness će pre­zen­ti­ra­ti svo­je recent­ne rado­ve s izlož­bom pod nazi­vom “Crteži valo­va i sli­ke pej­za­ža” i to s poseb­nim nagla­skom na rad veli­kih dimen­zi­ja kao što je Field Drawing #1. Otvorenje izlož­be zaka­za­no je za 19 sati.[/lang_hr]

[lang_hr]Drawing #1 je rad koji je nedav­no nas­tao u okvi­ru naj­ve­ćeg gale­rij­skog pros­to­ra u Australiji – GOMA u Brisbaneu. Radi se o geome­trij­skom crte­žu iscr­ta­nom na veli­koj tra­ti­ni Maiwar Green uz GOMA‑u. Kerrie Poliness se, pri stva­ra­nju rado­va ova­ko spek­ta­ku­lar­nih dimen­zi­ja, čes­to osla­nja na aps­trak­t­nu umjet­nost dva­de­se­tog sto­lje­ća. U izra­du nje­nih rado­va čes­to su uklju­če­ni i dru­gi umjet­ni­ci. Njeni se rado­vi mogu repro­du­ci­ra­ti u raz­li­či­tim veli­či­na­ma, na bilo kojoj rav­noj povr­ši­ni (uobi­ča­je­no je da su to ili zido­vi ili podo­vi). No, prem­da Kerrie pru­ža vrlo detalj­na uput­stva za izra­du, reali­zi­ra­ni crte­ži uvi­jek su raz­li­či­ti jer je nji­ho­va egze­ku­ci­ja ovis­na o aprok­si­ma­ci­ji, a ne o pre­ciz­nom mje­re­nju. Crtež pod nazi­vom Field Drawing #1 iscr­tan je kre­dom kojom se ozna­ča­va­ju rubo­vi nogo­met­nih igra­li­šta. Upravo zbog teh­ni­ke, taj će crtež kroz neko vri­je­me laga­no nes­ta­ja­ti, sve dok ne nes­ta­ne u potpunosti.[/lang_hr]

[lang_hr]North Melbourne Town Hall (2006); NGA, Canberra (2004); Artspace, Auckland (1998), and the Art Gallery of WA, Perth (1998). Ha par­te­ci­pa­to a mol­ti pro­get­ti col­let­ti­vi, inclu­so Less is More, Museum of Modern Art at Heide, Melbourne (2012); The Basil Sellers Art Prize, The Ian Potter Museum of Art, Melbourne (2012), Ruler pen­cil time, Block Projects, Melbourne (2012); Art, pat­tern and com­plexity, RiAus, Adelaide (2012); Volume One, The MCA Collection, Museum of Contemporary Art, Sydney (2012); Australian con­tem­po­rary drawing 2, University of Arts, London (2012); Networks, cel­ls and silos, Monash University Museum of Art, Melbourne (2011); Multiple cho­ice, Queensland Art Gallery/GOMA, Brisbane (2010); +/-, Monash University Museum of Art, Melbourne (2009); Shilo, Ian Potter Museum of Art, University of Melbourne (2009); The Helen Lempriere National Sculpture Award, Werribee Park, Vic. (2008); To make a work of time­less art, Museum of Contemporary Art, Sydney (2008); Australian con­tem­po­rary non-objec­ti­ve art, Gesellschaft für Kunst und Gestaltung, Germany (2007); and Drawn, the Ian Potter Centre: NGV Australia (2006). Umjetnicu zas­tu­pa Anna Schwartz, Gallery Melbourne.[/lang_hr]

[lang_it]Nell’ambito del ciclo d’ac­co­gli­en­za dei rino­ma­ti artis­ti inter­na­zi­ona­li, nel­la gal­le­ria Luka ver­rà ospi­ta­ta l’eminente artis­ta aus­tra­li­ana Kerrie Poliness. Poliness pre­sen­terà le sue ope­re più recen­ti con una mos­tra inti­to­la­ta “Crteži valo­va i sli­ke pej­za­ža” (“Disegni del­le onde e dipin­ti dei paesag­gi”), con par­ti­co­la­re enfa­si sui lavo­ri di gran­di dimen­si­oni, quale Field Drawing #1. L’inaugurazione del­la mos­tra è pre­vis­ta per il 10 giug­no con ini­zio alle ore 19:00.

Drawing #1 è un ope­ra che è sta­ta recen­te­men­te reali­zza­ta nel con­tes­to del­la più gran­de gal­le­ria in Australia – GOMA a Brisbane. Si trat­ta di un diseg­no geome­tri­co trac­ci­ato su un enor­me pra­to accan­to a GOMA. Kerrie Poliness, cre­an­do ope­re di tali dimen­si­oni spet­ta­co­la­ri, si ispi­ra spe­sso all’arte astrat­ta del XX seco­lo. Nella cre­azi­one dei suoi lavo­ri sono coinvol­ti spe­sso pure altri artis­ti. I suoi lavo­ri si posso­no ripro­dur­re in varie dimen­si­oni su qual­si­asi super­fi­cie (in gene­re muri o pavi­men­ti). Il diseg­no inti­to­la­to Field Drawing #1 è sta­to dipin­to con del gesso e trac­cia i bor­di di un cam­po di cal­cio. A causa di ques­ta tec­ni­ca l’opera con il tem­po sbi­adirà len­ta­men­te, fino a dissol­ver­si completamente.

North Melbourne Town Hall (2006); NGA, Canberra (2004); Artspace, Auckland (1998), and the Art Gallery of WA, Perth (1998). Sudjelovala je i u broj­nim grup­nim pro­jek­ti­ma, uklju­ču­ju­ći Less is More, Museum of Modern Art at Heide, Melbourne (2012); The Basil Sellers Art Prize, The Ian Potter Museum of Art, Melbourne (2012), Ruler pen­cil time, Block Projects, Melbourne (2012); Art, pat­tern and com­plexity, RiAus, Adelaide (2012); Volume One, The MCA Collection, Museum of Contemporary Art, Sydney (2012); Australian con­tem­po­rary drawing 2, University of Arts, London (2012); Networks, cel­ls and silos, Monash University Museum of Art, Melbourne (2011); Multiple cho­ice, Queensland Art Gallery/GOMA, Brisbane (2010); +/-, Monash University Museum of Art, Melbourne (2009); Shilo, Ian Potter Museum of Art, University of Melbourne (2009); The Helen Lempriere National Sculpture Award, Werribee Park, Vic. (2008); To make a work of time­less art, Museum of Contemporary Art, Sydney (2008); Australian con­tem­po­rary non-objec­ti­ve art, Gesellschaft für Kunst und Gestaltung, Germany (2007); and Drawn, the Ian Potter Centre: NGV Australia (2006). L’artistra è rap­pre­sen­ta­ta da Anna Schwartz, Gallery Melbourne.[/lang_it]

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• Galerija Luka
• izložba "Crteži valova i slike pejzaža"
• Kerrie Poliness